Archive for the 'Package Design' Category

“Multi-tier Branding” – the middle isn’t as bad as we all thought it was….

June 22, 2011

Packaging World Magazine recently invited David Kendall to comment and review the current state of multi-branding in the grocery aisles. Watch the short video and find out why the middle isn’t as bad as we all thought it was.

Recognition for Design that Fits like a Glove

April 19, 2011

One of the package design programs our office developed for Wells Lamont’s line of hi-performance work gloves recently was recognized with a Gold Award for Packaging from the National Retail Hardware Association. The award-winning design extends the structure of a product hang tag into a 3D  form by incorporating a die-cut logo revealing the bright yellow interior of the dimensional hang tag. The rough and tough nature of the work gloves  is further expressed with spot varnish nicks and scratches, industrial design cues and embossing to simulate stamped metal.  While the NRHA has been serving the needs of independent hardware retailers in the United State and Canada and Well Lamont has been providing durable, work proven work gear for over 100 years, we’re just honored to be part of both of these legacies.

Surviving the Creative Cage Match

February 23, 2011

Guidelines to surviving the most dangerous improv in the world

You may have received this call. You know the one. It begins, “Hi, we’re soliciting creative work for an upcoming redesign. We’d like to pay you for some creative thinking and concepts”. And so it goes, more or less. Some firms eagerly jump at these requests while others dread and despise these calls. However, let’s take a look at what’s behind these requests and see if we can uncover a little bit of insight into what’s driving these requests. I mean, why has this become such a hated approach?

The most common approach in package design today is to solicit the best creative solutions from different firms. In the past design firms may have relied on relationships, internal research or proprietary processes to solve these challenges. However, today the research is provided, the cloak has been lifted on the so called proprietary design process and clients are far more brand savvy than ever before. In addition, talent has moved around the industry from company to company improving their expertise and ultimately sharing it along the way. It’s not the same game it was five years ago.

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Testing…testing…1, 2, 3: Let’s go shopping…virtually.

February 8, 2011

I hate tests. It’s a wonder I even made through school, but then again, I guess that’s why I gravitated towards the creative field. But, alas, I still can’t rid myself of tests. However this time, I’ve taken to giving them rather than taking them – it’s a whole lot more rewarding. Here’s an example. A recent club store package design project allowed us to partner with the San Francisco based research firm, Socratic Technologies to analyze and test consumer perceptions of current, new and competitor packaging utilizing their online research tool.

As we all know, the club store environment is especially challenging for retailers and consumers alike. It’s poorly lit with large aisles surrounded by towering shelves and filled with palettes, crates and boxes. It is, after all, a warehouse turned store, but without all the charm, intimacy and coziness of our neighborhood grocery store. In addition, the consumer is presented with a very limited selection, yet is compensated for that limitation with low prices and the opportunity to buy in bulk. Anyone for a gallon of mayo? So, success in this environment requires a different design approach as well as establishing key metrics that help guide the design to align with consumer perceptions.

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POP: Power of Persuasion

February 3, 2011

It’s always nice to create a package design program. It’s even better when we can also extend that design further into the in-store experience. As part of the launch of a new lines of work gloves, Wells Lamont needed a flexible in-store display program for both specialty and large format store environments. The result was a system of tabletop, floor and hanging units, each reflecting the design look and feel established on the glove tags.

Is This Nuts To You?

January 12, 2011

The other day I was wandering the snack aisle with my son looking at nuts – the snacks, that is, and not my fellow shoppers. Naively, he asked, so which one is the best nut?” A seemingly easy and innocent question. However, while surveying the ever expanding nut section, we realized that one of the last remaining bastions of healthy snacking was really beginning to look extremely unhealthy.

As a retail brand expert and package designer, I strive to leverage the power of design to appeal and engage consumers. However, in this case, I realized that packaging for the most part was not doing a very good job at helping the consumer to do what consumers do best which is consume! In a way, I felt sorry for the little nut and what the category had done to it. It had become a very confused nut.

Now, we all know how nutritious and healthy nuts are for you – unless you have a peanut allergy (but that’s another story…). So, packaging for this category should be pretty straightforward you’d think. Instead, we have chocolate covered and honey roasted these simple tasty treats into another category. And at the other end of the spectrum in the “gourmet” end of the shelf we have loaded and crowded it with endless taste variations passed off as gourmet so we now have barbeque, wasabi and even ranch! Since when is ranch considered gourmet yet alone healthy. It seems that our simple, healthy nuts have adopted the tastes and the look and feel of their white trash cousins, the (ahem.) lowly potato chip.

So the next time we get a nut job (packaging project, that is) in the studio, I think we’ll go back to attempting to restore some of the sanity and get back to focusing on not only what’s on the outside of the package, but what’s inside as well. And if you don’t like that, well, “nuts to you!”

We don’t need another hero…or do we?

December 27, 2010

I love toys. Now, don’t get me wrong. I’m not one of those weekend fanboys dressing up as my favorite action figure (they’re not dolls!), attending comic-cons and hoping to score a picture with Sailor Moon-costumed babes. As a child of the 60s, my toys of choice were mainly wooden blocks, Hot Wheels and plastic Army men – just a step up from dirt, twigs and rocks. However, when I discovered a box of little colorful interlocking plastic bricks with the cute name, Lego, I acquired massive numbers of them and quickly disappeared into my room to construct intricate plastic worlds. I even cried when Mom culled the “herd” when she “accidentally” vacuumed them up.

It’s been a long time since I’ve played with Lego’s and over the years the franchise has grown far beyond those simple plastic bricks. However, they still have a warm place in my heart and in this season of toy shopping, I often use it as an excuse to re-acquaint myself with my old childhood friends. Recently, while in the toy aisle, I came across not only my old friends, but also a few new Lego franchises as well. Cool toys, but more importantly, great examples of the power of “positioning” and the return on investment in design.

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Bardahl: Re-Staging for Revenue

November 2, 2010

Bardahl's Additive/Cleaner Product Line

You can’t judge a book by the cover or so the saying goes; however we apparently do this everyday as we wander down the aisles of our stores. What captures our attention and drives us to buy is really driven more by the package then what is actually inside those packages. It seems that consumers, despite the lousy economy, are more often than not putting their money where their eyes are. The net result of all of this is that we have a lot of screaming and jumping up and down on the shelves, especially in the automotive aisles, trying to attract our overloaded eyes.

So how can you be successful in this noisy arena without adding to the maddening roar? Well, here are a few ideas developed while re-staging this line of petroleum products for Bardahl:

Standing out by fitting in.
Just how many silly starbursts, checkered flags and glowing streaks do we need? Okay so they’re all about cars, speed and racing I get that; however after a while they all seem to merge into the generalized clutter and noise. Do they really help us when we’re searching the aisles for that particular specialty product or brand? Instead, let’s borrow a page from the “functional” water category. Consumers of this category are searching for and buying calm, energy and vigor even though we all know they are selling us just a bunch of sugar water.

Bardahl's Diesel AdditiveSo in case of Bardahl, we opted for big ass type that clearly communicated whether it was a Cleaner or an Additive, the key consumer buying criteria. Extremely visible and readable despite it’s vertical orientation it also sets up a distinctive structure when arranged on the shelf. This combined with the clean vivid color palette not only fit within the vernacular of the automotive aisle while at the same time offering something a little different.

So rather than just adding to the noise and trying to fit into the rest of the clutter, let’s try to fit into the wants, needs and desires of the consumers mind. Let’s create a little friction in the aisle in order to gain a little traction.

Black is beautiful.
Automotive fuel additives and cleaners are not really sophisticated and fashionable. I mean when was the last time one was included in celebrity gift bags at the Oscars? But package it in black and immediately the hip, cool and sophisticated factor goes up. Oh, the price as well. You could take flypaper and package it in black, double the price and the next thing you know it’s on Oprah and Martha’s best things list.

Black is not only hip. It is also bold, graphic and downright manly. Black is the perfect background upon which to add the (unfortunately) numerous bullets, features and claims while at the same maintain a strong presence and visual hierarchy.

So, we may outwardly cheer the hero in the white hat. Inside, we know that the dude in the black is one serious hombre that you need to pay attention to.

Icons. Not images.
We could have used an image of a dirty head, a greasy gasket or even a plugged filter. But haven’t we’ve seen enough of them under our hoods? Sure it works for those before and after type shots, but really do we really believe them? Do you believe the food pictures on the menus? Really?

This line of products is about fuel efficiency and maintenance. The only time I think about fuel is when I’m putting it into my car. And that key, iconic image is the distinctive pump handle. Icons are shorthand for ideas. So, the addition of the pump handle image (color coded green for diesel and red for regular) simply and quickly tells us not only which one to buy but also when to use the product. It is the occasion that triggers the purchase and not necessary the problem.

Make it a best seller!
So, don’t all run out and make all your product packaging in black. Think about your packaging as if it is a good book because as we all know products for the most part are just that – mere products and commodities. Packaging is more than that. Its stories and feelings – just like a good book. One that you want to pick up, engage in and maybe even read over and over again. Who knows it may even end up as a best seller!

Facing the Facts: The New Realities of Packaging Are Reason, Risk and Traction

May 20, 2010

Recently, I came across a blog posting titled Greener, Easier and Smarter (on Richard Shears’ The Package Unseen). The perceptive observations stood out as a rising voice of reason in the otherwise irrational world of package and brand design. Like the author, I believe the biggest shift since the 1950’s is happening in packaging and product development. So, how can we respond and address these new realities?

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Packaging World | Sauce in a Spray Bottle: An “aha” or an “oh-no?”

March 12, 2010

Can you spot the baste among the sprays?

As I looked at the new packaging for Southern Bar-B-Que basting sprays. I nearly fell off my overpriced Aeron chair.

At first, I thought it was an homage to the famous Saturday Night Live “it’s a floor wax and a desert topping” skit. But no, this was a food product in the same bottle that we all have seen lining the shelves filled with industrial cleaners and household cleaning chemicals.

Now I love it when new packaging can be presented using familiar objects. We can see this in such products as Coppola’s champagne in a can or even Southern’s own barbecue sauce in traditional canning jars. That makes sense. However, in the case of the spray bottle, isn’t the creative team forgetting some basic cues that designers have used not only to educate but also to guide consumers so they don’t confuse gravy with motor oil?

Package designers are required to address many complicated criteria, such as fabrication costs, structural integrity, shelf standout, and eye appeal. Essentially, it is about creating distinction, which often leads to purchase.

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